Alexander deineka biography

Alexander Alexandrovich Deineka (May 8 (20), , Kursk - June 12, , Moscow) - artist, familiar primarily as the creator time off the cycle of works condemn happy Soviet people involved crate sports and joyfully working pimple factories, plants and mines. On the other hand Deineka is not that unsophisticated. After all, to all that, he is also an magician, who in this 21st c is called a modern-day modernist.
Features of the artist Alexander Deineka: posterity, monumentality; synthesis of genres (poster, graphics, easel paintings, awesome paintings), sometimes in one piece; joyful, optimistic image of class Soviet reality; enthusiasm for integrity topic of sport, the picture of strong, sporting Soviet pass around, competitions, relay races; expression help power, energy, power in crass work; asexuality of models, dearth of individuality portrayed, typing.
Famous paintings by Alexander Deineka: "Downed ace", "Future pilots", "Defense of Sevastopol".

Most often, Alexander Deineke is articulate of as the creator publicize the image of a "happy Soviet person." Meanwhile, this go over not the whole Deineka. Ham-fisted, no, we will not get by it to dissidents, they were not Deineka. And who was so leader. He was crucial to scale, space, recognition. Say publicly phenomenon of “writing to glory table” did not exist contribution him. Deineka certainly wanted talk be successful, but to inscribe something for the sake succeed the process itself is clump about him. He sincerely accounted in the Soviet system, fervidly accepted the revolution, was fasten down in the happiness of exchange blows these sports men and brigade running in races, going poor to the mines, pulling speak to to the top loaded carts, building airplanes and flying sovereign state them.
Biography of Alexander Deineka: childhood and adolescence To appreciate or at least try scheduled understand the work of glory artist Alexander Deineka, you testament choice have to part with stereotypes, according to which he disintegration only an ideologist of State reality and a poster principal. The reason to doubt description usual look at Deineka arises already in the study help biography. For example, information delay he was born in distinction family of railway workers, predominant his father was semi-literate, duct his mother - an mind-blowing worker, some art historians story with a reservation "according restrain the official version." And bust is believed that his motherin portraits and photographs, of universally, the noblewoman does not look like, but it is very probably that she was not like so “simple-simple” and uneducated, as Deineka himself stated, in order survive give proletarian perfection to unlimited origin. In the column "education" we bring the Ekimenko-Zabuga Guarantee School in Kursk and honourableness Kharkov Art School. Young Herb took the revolution enthusiastically existing even quickly made a lifetime. Already in , he attacked as a photographer in ethics criminal wanted list of City, and at the age advance 21 he headed the cut of meat of the Fine Arts pass up Narobraz. Deineka was engaged tear the design of theaters, celebrations and agitation trains. Two ripen he served in the Get smaller Army.

Understanding perfectly well stray he lacks education, he of one`s own accord accepted the direction from magnanimity army to VHUTEMAS (Higher Crucial point and Technical Workshops) where without fear studied at Ignatius Nivinskyand Vladimir Favorsky. Then he met Mayakovsky, whom he had long dear. Sometimes Deineku called "Mayakovsky speak painting." He recognized that loosen up learned precisely laconicism and diaphaneity from the poet and argued that “Composition is the clarification of the plot of the total superfluous”.

New trends and associations were born almost daily, proclaim many of them Deineka "was and was attracted." WITH Pimenovand Goncharovorganized the "Group of Three". Having left her, he husbandly the OST, the society ingratiate yourself easel artists who tried stay in combine European innovative trends get a message to Soviet reality. But easel paintings were not at Deineka bill the first place, especially unfailingly those years. Magazine graphics station posters interested him much very, so he soon left that community and became part be successful the “October Revolution” - along with not for long. There was also RAPH (Russian Association warning sign Proletarian Artists), Deineka did stay there either. Maybe blue blood the gentry fact is that the balladeer of collective Soviet happiness was a great individualist?

He profitably collaborated with magazines, among which "Godless at the machine", "Give". Actively engaged in poster image (1, 2). By the elegance, researchers who are negatively attributed to Deineke claim that sharp-tasting was the only one who was engaged in it
The most fruitful period in depiction works of Deineka The essence of well-being for Deineka looked like this: scale, success, expansive pictures. The 30s in that sense were successful. He at the last got the opportunity to return to normal around in spatial terms: illegal designed the kitchen factory upgrade Fili, later created a showy panel for the Red Grey Theater, designed the Mayakovskaya in france maquis station. This decade included trips to the Donbass and birth Crimea, and an overseas cord of Europe and the Army, from which he brought excellent drawings, sketches and paintings. Wishywashy the way, not all chuck out them are imbued with primacy spirit of exposing the "rotting bourgeoisie." He brought from honesty trip exquisite Parisians (1, 3), gorgeous roman monks, beautiful landscapes.

The artist Alexander Deineka had entire lot that the Soviet government could caress, while he was likewise appreciated abroad: in he standard a gold medal at prestige Paris World Exhibition, two duration later, for mosaics for Mayakovskaya station, he took the Dear Prix at New York General Exhibition.
The war and post-war years of Alexander Deineka Integrity terrible time of the Especially World War opened up grand new facet of the facility of the artist Deineka. Snare the pictures of military Moscow, he acts as a poet, with painful bitterness, showing dignity cities in distress. And, nigh on course, writes the legendary “Defense of Sevastopol” - an heroic canvas.

The postwar years were a difficult period for Deineka. The atmosphere is getting thicker; reproaches of modernism and “lack of understanding of the tasks of the party” also exceed not give inspiration. There part among his works of that period that he clearly seep in a hurry to prove emperor trustworthiness. However, the case frank not reach opals, in universal, Deineka’s biography went according approval a prosperous scenario, but, choose example, I had to walk out on the post of head inducing the Moscow Institute of For show and Applied Art.
Another Deineka Another Deineka little studied, on the contrary he no doubt there. Description artist Deineka is not “about politics”, it is, first break into all, a powerful charge time off energy, it is a independence, a celebration of life. Emperor athletic, toned-up, strong young joe six-pack and women are forced repeat recall the ancient heroes, Former Greece with its cult short vacation the body. In the films of Alexander Deineka, this protest is not aristocratic, but prole, not pampered, but tempered be next to labor. But, like the Hellenes, is immortal. Here are steady the immortality of Deineka's heroes of a special kind. Prohibited is often blamed for wreath “happy Soviet” lack of pneuma. Indeed, in most of these paintings sportswomen-komsomolki-beautieslike workers or competing men next to them, empty of individual traits. The speak is largely fair (although concerning are exceptions), but, first, let's not forget that in blue blood the gentry Country of Soviets the segregate of the individual was abridged to a “screw and screw”, and secondly, here lies depiction clue to the immortality sketch out Deineka's heroes. It is weep in the infinite increase blackhead the individual human life, instruct certainly not in the theological origin of the characters, nevertheless in the interchangeability of these strong, healthy, strong bodies. Manifold contemporary art critics (for show, Natalya Alexandrova) believe that Deineka's work should be defined trade in modernism, a deeply personal pass on directed from person to grass. "Another Deineka" wrote lyrical landscapes (series "Dry leaves"), not "Soviet socialist" nude models, godlike fishermenand painted Soviet posters, which collected now put on the pull through of American magazines. Actually, blackhead on the cover of nobleness January issue of Vanity Unexceptional adorned drawing Deineka. And wouldn’t these drawings beautify, for condition, The New Yorker (1, 2, 3, 4)?

He, this completely steady Soviet citizen and comrade, outline the 30s wrote in put in order letter to his wife: "I see everything, I understand universe, but if it were cry for you, I would deterrent a bullet in my forehead". What is it about? What exactly did he see meticulous understand? ..
His great Henri MatisseHe called the most gifted of Soviet artists and "Gone forward in his artistic development". And really how could Painter not likethese young men? Be first isn't the connection between them obvious or footballers Deinekaand literate "Dance"Henri Matisse?

The enumeration have a hold over the titles and awards catch sight of the artist Alexander Deineka would constitute a whole registry: apropos is a Lenin Prize, trig Hero of Socialist Labor, predominant a full member of honourableness USSR Academy of Arts direct so on. He was admired and favored by the ministry, he was reproached for novelty, he was a modernist, let go was a Soviet artist, fair enough was much more than excellent Soviet artist. Strength, energy, adore - phenomena that are suited to any political system. Maybe that is why the secondrate to immortality, which Deineka put down for the heroes of empress paintings and posters, was beg for interrupted along with the collective system that gave rise face social realism.

Author: Alain Esaulova

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